Art writer and critic Canoline Critiks recently published a portrait exploring my artistic practice, focusing on the pivotal transition between the structural rigor of my former legal career and the freedom of my current creative path. This external perspective highlights a profound transformation: from a rigid legal framework toward a sensitive organization of reality.
From the Discipline of Law to the Freedom of Creation
In her analysis, Canoline Critiks emphasizes a conviction central to my work: art is not ornamentation, but a response to an essential need for transformation. She perceptively describes how past experiences have shaped a practice where sensitivity becomes the primary tool through which I engage with the world.
Capturing the Inframince: Light, Movement and Invisible Connection
The article underlines my ongoing exploration of light and movement. Across landscapes and portrait series alike, I seek to capture what Marcel Duchamp described as the inframince — the subtle, almost imperceptible link between beings. Whether through painting or digital media, material becomes a vessel for translating immediate emotion.
A Transdisciplinary and Vibrant Artistic Practice
Finally, the critique highlights my refusal to remain confined within a single medium. This transdisciplinary approach forms a living dialogue with the world. As Canoline Critiks writes: “For the artist, matter is not an end, but a vector of raw emotion.”
Read the full analysis on the Canoline Critiks blog:
Oriane Sossah — The Sensitive Making of a World